Every year its program offers a broad range of genres, orchestral and chamber music, innovative musical theatre, experimental works and media art – presented by established and emerging artists from all over the world. It includes world premieres and new productions and brings music from many geographies.
2021 festival edition runs solely online. Its artistic director Berno Odo Polzer has conceived a festival with a wide variety of digital formats – from simple streaming to VR experience to binaural audio – all running on its on-demand platform.
Berliner Festspiele on Demand has been beautifully executed in the right time by the right people and offers a range of advance technologies, including latest 360° camera and 3D sound technology. Live stream concerts, audiovisual performances, lectures and talks, binaural audio streams, as well as pre-produced films, music videos and documentaries connect artists in various physical event locations in Berlin (Berliner Festspiele, the Philharmonic Chamber Music Hall, the Zeiss Planetarium, SAVVY Contemporary, Silent Green and some others), as well as in private apartments and studios around the world.
The opening day project “Environment” is a child of the pandemic: PH Ø NIX16 and the Orquesta Experimental de Instrumentos Nativos (OEIN) from Bolivia spent several months in a lockdown at the Rheinsberg Music Academy, creating experimental films and a multimedia stage performance.
SAVVY Contemporary collaborated with the Egyptian-American composer, an electronic music pioneer, musicologist and teacher Halim El-Dabh and will present a series of projects with his forgotten works.
The New York collective Bang on a Can is presenting a 4-hours live concert as part of their project “Marathon,” streamed live from homes and studios of the artists.
A French sound pioneer Éliane Radigue conducts a 3-hour sound meditation “Trilogie de la Mort,” which will be streamed live as a binaural audio from the Zeiss Planetarium, followed by a film about the artist.
The grand finale of MaerzMusik, TIMEPIECE, with a 27-hour speaking clock, will be performed live by Berlin-based artists on the Grand Stage of Haus der Berliner Festspiele and accompanied by musicians from around the world. Overall, combining more than 100 participants, it is a highpoint of the program and indeed an artistic manifestation of solidarity in times of pandemic.
You can access the digital festival edition with the festival pass, which is valid for all events for the entire duration of the festival. It’s completely free, or with a donation amount of your choice you will help support the performers and keep art alive in these difficult times.
Full festival program is available here, and you can also follow its FB page. We only wish we had all the hours in the day to experience every show of this stellar program, truly a curatorial and artistic achievement of our times.
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Every year its program offers a broad range of genres, orchestral and chamber music, innovative musical theatre, experimental works and media art – presented by established and emerging artists from all over the world. It includes world premieres and new productions and brings music from many geographies.
2021 festival edition runs solely online. Its artistic director Berno Odo Polzer has conceived a festival with a wide variety of digital formats – from simple streaming to VR experience to binaural audio – all running on its on-demand platform.
Berliner Festspiele on Demand has been beautifully executed in the right time by the right people and offers a range of advance technologies, including latest 360° camera and 3D sound technology. Live stream concerts, audiovisual performances, lectures and talks, binaural audio streams, as well as pre-produced films, music videos and documentaries connect artists in various physical event locations in Berlin (Berliner Festspiele, the Philharmonic Chamber Music Hall, the Zeiss Planetarium, SAVVY Contemporary, Silent Green and some others), as well as in private apartments and studios around the world.
The opening day project “Environment” is a child of the pandemic: PH Ø NIX16 and the Orquesta Experimental de Instrumentos Nativos (OEIN) from Bolivia spent several months in a lockdown at the Rheinsberg Music Academy, creating experimental films and a multimedia stage performance.
SAVVY Contemporary collaborated with the Egyptian-American composer, an electronic music pioneer, musicologist and teacher Halim El-Dabh and will present a series of projects with his forgotten works.
The New York collective Bang on a Can is presenting a 4-hours live concert as part of their project “Marathon,” streamed live from homes and studios of the artists.
A French sound pioneer Éliane Radigue conducts a 3-hour sound meditation “Trilogie de la Mort,” which will be streamed live as a binaural audio from the Zeiss Planetarium, followed by a film about the artist.
The grand finale of MaerzMusik, TIMEPIECE, with a 27-hour speaking clock, will be performed live by Berlin-based artists on the Grand Stage of Haus der Berliner Festspiele and accompanied by musicians from around the world. Overall, combining more than 100 participants, it is a highpoint of the program and indeed an artistic manifestation of solidarity in times of pandemic.
You can access the digital festival edition with the festival pass, which is valid for all events for the entire duration of the festival. It’s completely free, or with a donation amount of your choice you will help support the performers and keep art alive in these difficult times.
Full festival program is available here, and you can also follow its FB page. We only wish we had all the hours in the day to experience every show of this stellar program, truly a curatorial and artistic achievement of our times.
Related Articles: